Two Different WC techniques

This is watercolor on canvas.

I am using Peg Furlin's technique of "fracturing". I took my inspiration from a catalog I found showcasing interesting vases. One of my downfalls are vases and "containers". And I also love still lifes. I liked the idea of contrasting the linear painting with a few citrus tossed into the frame. And the flowers help to throw a little something more organic into the painting.

I thought I would try a different triad of color this time. Quin gold, several shades of brown, and aliz. crimson. At first I used a kind of Quin Sienna for the red but my hubby critiqued it and he said it needs to be punched up with RED. I think in this case he was quite right!!! I punched up the center of interest with black.

Originally, in the first wash I went too dark. (I am learning as I go along.) So all the white (slightly stained white) was the same color as the color strips leading out of the interior of the painting. Pretty colors but not what I was looking for. So I used a Mr. Clean sponge to wipe out as much as possible. I got almost back to white and didn't mind a little staining at all. I think one of the things about "fracturing" that pleases my eye, is the "mat" look of having an interior painting. Making the mat too dark makes you lose this. However, there are no set rules about it and there is no reason the mat couldn't be dark and the interior light. To try another day?

This little painting is a demo I started in my wc class a few weeks ago...using a John Lovett video for inspiration and also using one of his paintings for inspiration. I traced my drawing and handed it out to the gals and we all painted the same scene this time. I don't like to do that too much but sometimes it's nice to have a drawing that includes a lot of the techniques you want to teach. This had old bricks and stones to paint and then to "ink" and bleed. And it fit well with that gesso or gouache technique of softening the edges with a hake brush. I used "opera" for the curtains in the window to pop that center of interest. It's a tiny painting...just 7 x 11". (an 8th of sheet of Arches.)

I find this a pleasing little painting. Something nice about the slightly open door too, don't you think? Inviting?