Paper Painting: Moving on...

It is 50 degrees and POURING rain in the north woods of Wisconsin. This is a day you have to get VERY creative to enjoy!!!

So...I am baking brownies. (Warm oven, yummy smells) and am working in my studio pushing on without any suggestions on that third color (from yesterday's moan).

I have chosen MAGNETA as my 3rd color in the triad and am using a stencil to give help make some more interesting negative spaces. Hopefully it won't be too "busy".

THEN while that dried I finished sketching my fun little sock monkey...enlarging it from the ATC card that I made the other day (see it displayed in front of the sketch). Then I did the underpainting on the sock monkey and painted the papers to go with that project (hanging them on a clothes line IN THE GARAGE because it is raining!).

I think the sock monkey might be a good choice for the demo in July...I am taking photos of it as it goes along.

Both of these paintings are on YES canvas board 11 x 14 and are under painted in acrylic.

I think this sock monkey and the teddy bears I did previous might be part of a series on old but lovable toys. Can a toy train be far behind? I am looking now for a photo of a Kewpie doll. Remember those?

Paper Painting: need help on prep work

One of the things Elizabeth St. Claire Nelson suggests in her paper painting DVD (and on her blog) is that you do an "underpainting" in acrylic to help layout composition and lights and darks.

One of my biggest problems in getting started in this amazingly fun medium is picking SIMPLE and engaging subjects without getting too complex.

I am working 11 x 14 on YES canvas board. Elizabeth's backing of choice is birch boards 9 x 12 with a clear coating. She uses a very watery acrylic mixture for her under paintings so that pencil lines will show through. They are after all mostly going to disappear once the torn paper collage goes on over them. Since the canvas is pre-primed with gesso, I do not have to do any prep work on the support. But you do miss seeing the wood grain that shows in some of her paintings so that I think that some time I would like to try the wood.

I am not using a photo actually, except to look at a photo of a ceramic teapot. And I am not using local color. So this is an exp

eriment in color and design as well.

I am fond of the blue/yellow combination but I am needing some suggestions about a simple background and also some ideas about adding a third color. I usually like to use a triad of some sort. I am thinking perhaps something in a reddish violet.

I am not thinking of adding any other objects but maybe even stamping something in the background or dripping some color into the background. In my original sketch I had some darkness in the right top corner to balance the pot. I like to paint my papers as I choose the colors rather than the other way around. Once I do the underpainting and know the colors I am using, THEN I paint the papers. So what is my third color, guys?

The Collaborative Art Work

Thanks to Sue Wendlandt of the Manito Art League for sending me the final picture of the collaborative art from yesterday!

It's really quite amazing how Karen got this to all go together! Roots and leaves and all. She really did not "assign" us anything except it had to be about "trees". Karen prepped the background and tore the component parts ahead of time. So they would all fit together later.

You'll see which piece is mine if you scroll down to yesterday's post.

Karen, the teacher, is the first two photos across the top and I am #4 in the tan sweatshirt. The mini workshop took place at the Manitowish Waters, Wisconsin, Community Center.

ATCs: a way to play

These are, of course, little teensy art cards (the size of playing cards). Artist Trading Cards...if you haven't heard of them...try googling them and you'll find dozens of sites. Artists like to trade them..and believe me, what you see here is pitiful compared to what people are REALLY doing with these. Some are REAL works of art.

I am just beginning to do a little playing. I wasn't going to do this today but when I was cleaning in the studio the bag of ATC cards I had cut out earlier this spring fell out and they seemed to have a life of their own! What you see here are combinations of watercolor, collage, water based marker pens, fluid acrylic, stampers, watercolor pencils, permanent marker. I'll get back and try some more another day. The sun is shining today and I want to be outside!!!

The other two little pencil sketches were done in the waiting room of the clinic this morning while waiting for my husband to have some lab work done.

Karen Kappell's Pastel Class

Pastels? Me? No, not really. But I just felt it might be fun just to for once dabble in them.

Here is Karen demonstrating this morning at the Manito Art League meeting and workshop. (Manitowish Waters, Wisconsin).

Pastels are like some sort of magical medium to me. I am drawn to them in other people's work. But for me, no. What Karen was attempting to do here was to teach 6 of us some of the tiniest bit of the basics of pastels (to whet our appetites) and to also do something in "collaborative art". You know, art that is put together in some way by a group.

Because I had to leave early, I didn't get to see how the finished painting turned out. The theme was "trees" of all kinds, shapes, sizes, and seasons.

There were 6 artists involved in this project.

That is why my picture at the top is such an odd shape. That is just my tiny piece of the collaborative work. I will have to wait awhile to get to see how it all goes together!!! Hopefully I can include a photo of that later!!!

Morning At Great Pond by Mary Oliver

One thing we did before we walked Julie's labyrinth today was to have a ceremony of blessing. At the ceremony I read Mary Oliver's poem:

It starts like this:

forks of light

slicking up out of the east,

flying over you,

and what's left of night--

it's black waterfalls,

its craven doubt--

dissolves like gravel

as the sun appears

trailing clouds

of pink and green wool,

igniting the fields,

turning the ponds

to plates of fire.

the creatures there

are dark flickerings

you make out

one by one

as the light lifts--

great blue herons,

wood ducks shaking

their shimmering crests--

and knee deep

in the purple shallows

a deer drinking:

as she turns

the silver water

crushes like silk,

shaking the sky,

and you're healed then

from the night, your heart

wants more, you're ready

to rise and look!

to hurry anywhere!

to believe in everything.

from American Primitive: Poems by Mary Oliver

Labyrinths: 7 circuit

From the name of this blog you know right on that labyrinths are a special interest of mine AND of my daughter Julie. (shown here). Julie has been doing some reading and studying about them and come to find out their history is more than fascinating and goes back 3000 years! There are many many kinds of labyrinths. This one is known as a "classic" 7 circuit. This is a nice one to start out with although you could go with 5 circuits too I think to start even smaller. Julie worked for two solid days making this one...there is a lot of labor involved!!! This one came from a pattern in a book by Donna Schaper and Carole Ann Camp called Labyrinths from the Outside In: A Walking Guide to Spiritual Insight: A Beginner's Guide. This one fit well along the rocky shoreline of little Tippecanoe Lake in Lac du Flambeau, Wisconsin.

We are in severe drought here and the shore line of rocks you see here should all be UNDER WATER! We are somewhat distraught over this. But making lemonade out of lemons, Julie decided to give us something special with this unintentional space. What a lovely gift. The contemplative nature of a walk through a labyrinth is amazing. And to have it along a shore of a lovely lake is quite amazing too (I'll have to show a photo with the lake in it too as it right behind where Julie is standing.) We are thinking of placing a chair or bench in the very center so the walker can sit quietly in the center for awhile if he or she wishes.

There is a lot of history too of how the labyrinth and mazes are used as artistic decoration on pottery and on murals throughout history! I know jewelry makers have used them as well.

Home at the cabin

A beautiful day at the cabin. We are settling in now.

The weather is still warm although a cold front is headed our way and we'll be down to 65 by mid-week. That is normal for June in the north woods.

Today was Put-In-The-Pier Day. Big event. Our lives pretty much revolve around the lake front in the summer. My daughter and her family come up from Madison, WI to help with this every Memorial Day weekend. Tradition.

I did a few little sketches at the shore after lunch. But it was a pretty busy day! Cook out tonight. Lucky us.

The Natchez Trace

On May 19 we spent the day traveling up the old Natchez Trace. This is a national parkway (like the Blue Ridge Parkway) except that there are fewer hills and turns. The Trace has an amazing history and it is worth it to stop in Tupelo, MS at the visitor's center to see the film and enjoy the exhibits.

One of the reasons we like it is that you can travel from Natchez, MS all the way to Nashville without a single stop sign, traffic light, bill board or strip mall! It's beautiful. There are many turn outs where you can stop to picnic or you can do short nature hikes. This one included a lovely spring and creek. While I sketched, Greg went off to hike the full circle hike (20 minutes) and saw the largest beaver dam he'd ever seen in his life! He also saw a few snakes! Both harmless but still startling! There are also historical markers here and there. I wrote about the Trace before as it is where Meriweather Lewis died (Lewis and Clark) under strange circumstances. His gravesite is along the trail. There is a lot of Indian history as well, as it was originally an Indian trail for the Chicasaw and Choctaw Indians. Once the steamboat was invented the Trace became obsolete and it was many years before someone thought to save it!

Sketching along the Natchez Trace

Stormy Skies

A final sketch I did on St. George was at the state park on the east end of the island. Again 100 degrees.

Dunes as far as the eye can see. There's a terrific RV park there with lots of beautiful trees. But the rest of the state park looks like this sketch. Wonderful beaches with miles of white sand. The far distance is actually Florida skyline. Then the bay, then the dunes. I am facing north in this sketch.

Laughing gulls and wind are the only sounds here. I took the photo of the sketch outside in natural light and forgot to crop off the bottom so you can see part of my shoes. Sorry about that.

Where is St George Island?

Think the armpit of Florida...On the map shown here you can see that the state is wrapping slowing around and heading west toward Port St. Joe and Destin. We drove up along the coast from the south. About 4-5 hours north from Leesburg. When we got to East Point we turned south and crossed the 4 miles bridge to St. George. While there our motel which was right on the beach, faced south. Something we had not realized. We thought we'd be seeing sunsets over the gulf!

The following day we re-crossed the bridge and spent the day in Apalachicola, a small rustic fishing village that is VERY charming.

A Marvelous Trip

Our first stop along the way from FL to the north woods of WI was St. George Island, FL near the panhandle. The weather was close to 100 degrees the day we chose to walk the island. We ate at gulf side restaurants. The fish was fresh and delightful. We worried as we walked the white sand beaches what might happen if (and when) the oil spill makes it to this island. It is famous for it's oysters and indeed all the back roads are paved in oyster shells!

Traveling Time Again....

It's 90 every day in central Florida right now. DON'T forget a hat!

I took the photo reference for this watercolor in Key West a few years ago. The hats were stacked on a hat rack outside a funky store (isn't everything funky there?). They just said Key West. It's larger than I normally paint...a half sheet.

I wanted to leave something bright and fun on the blog now as I will probably not be posting for a few weeks. We leave Fl Sunday morning and head north slowly...stopping at St George Island to sketch on the beach for a day. Then up the Natchez Trace in AL and MS and up toward Nashville. Paducah, KY and then Wisconsin. Visiting family for a week in southern WI and then hitting the north woods cabin for Memorial Day weekend. So it may be June 1 before I am back to blogging. I will miss everyone. Please don't desert me. I'll be reading YOUR blogs along the way. See ya soon.

Happy Mother's Day

This is my mother and me on Mother's Day in 1981. 29 years ago.

The background tells me we had taken her to McHenry Illinois Country Club for brunch that day. I think one of my daughters might have caught this pose.

Even though she's been gone now about 13 years I think of her more often each year. Funny how that works.

So here's to our mother's and best of all the memories. I continue to be grateful to her for all the love and encouragement she gave me and my sister. And I do what I know she would have wanted...I pass it on.

Kentucky Spring

An interpretation of a photo by Deb Ward (with her permission).

11 x 15 watercolor on 140# Arches stretched.

(note that there is only one window in the small building because I think that two exactly the same look like "eyes" and detract.)

Certificate of Authenticity

A few years ago back in S.E Wisconsin, my art league there (Lake Geneva Art Association) had in an attorney to speak about art. One of the things that came up was the problem of art being either "copied" from the original (thus you might hang a painting in a gallery and then see it re-painted by someone else!) or someone who reproduces your art and sells it without your permission.

The attorney suggested that we put a certificate of authenticity on paintings we sell or hang in galleries to sell.

Whether or not this would hold up in court or not I don't know. But it might give someone pause before trying to copy it!

You should be able to click on and enlarge the image shown here but in case it won't enlarge the words say: "this certifies that the above mentioned art was designed and executed by the artist, Ginny Stiles. The artist further verified this art by retaining a photograph to document authenticity. The original may not be altered in any way and permission must be granted from the artist to reprint the image in any manner. The artist hereby certifies the appraised gallery replacement cost of the above mentioned art to be________________."

The last part is also added as a precaution if the painting were stolen from a gallery or

there was a fire. The artist should attach a copy to the painting and keep a copy themselves along with a photo of the art work.

This certificate was designed by me and using my own words. I would be very interested to know if anyone else out there does anything similar or if you have had an experience with art being copied or stolen.

Thanks SO SO much everyone!

Painting # 1 from the last post will be the first choice for the Winter Garden Show entry. I am not posting it again (see last post). But the second choice for the show was harder.

For 2nd choice, I felt # 3 got the most votes, but Durinda had a good suggestion on #3. She felt if I darkened the trees more behind the tents (as I had in #1) that the tents would pop out more and I would have more different values. So this is before and after. I think she right.

I very much liked the more abstract painting choice but I am going to go with the prevailing vote.

So now I need to tweak just a few little places. Then take them outside and spray them both with 2-3 coats of Krylon. They will then dry for a day or so before I frame them (no glass).

Sherese is coming over Friday morning to watch me demo putting dust covers on the back.

Thanks to EVERYONE who helped me with this project!

Please vote for one!

Turns out, paintings done at the Winter Garden "Watch Art Happen" plein air event on April 10/11 are now going to be displayed in the Winter Garden City Hall for the summer. June 10-August 31.

There will be a reception on Friday June 11 from 5:30-7 pm. And they plan to do some advance promotion and print up posters. They have asked for one of MY images for the poster!!! How cool is that?

So before May 4 I have to choose which of the following images would be the best for the poster. I have put them in order of strength, I think. The top image being my first choice at this time. That one also actually has the words "Winter Garden" in among the signs as well. But I just thought I'd toss

out the 3 images and see what you think? You can leave a comment below in the comment section or email me at ginny.stiles@gmail.com

ALSO I have to pick only two of the 3 images to submit for the exhibit.

So actually I'd like to find out which one you all think I should hold back.

I have a little longer to decide that as Ann is not coming for the paintings until after May 12. All 3 are 11 x 14 watercolor on canvas board.

I am sad that I will not be here for the reception as we are heading back north to WI for the summer on May 16. But it was a total fun day in Winter Garden as you can see and every time I look out the window here at Mango House in Leesburg, I see my two orange trees (a Valencia and a Honeybell Tangelo) that my hubby bought there that day!!

It'll be 93 here in Leesburg today with a humidity index making it feel close to 100 degrees! HOW did people live here before AC?

Playing with Charles Reid Style

I am having a lot of fun watching Rhonda Carpenter work with her Charles Reid DVDs. I am brought back immediately to how much I enjoy his style and use of color and brush work. I have his floral VCR tape (it's that long ago) and I have been enjoying having her remind of his drawing techniques and his drippy and loose style. Here is a painting I did after watching that floral VCR a few years ago.

Just for fun you can watch a few previews that give you a "feel" for Charles and how he works. One is here and one is here.

And of course he has a website you can view here.